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BRavenous kills it with his cypher-developed rhyme style, and a bunch of guest emcees – Brand Nubian’s Sadat X most prominent among them – add extra flavor. Production from Uncle Fester, DK, Makemdef, Nocknock, Loophole, and Eng is dope too – nothing but delicious throwback boom-bap beats laced with well-placed cuts & scratches. If traditional-sounding boom-bap is your thing, Flaunting Imperfections is your album.
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Kill Switch 2: The Devil’s Rejects is a follow-up to last year’s KILL SWITCH, a concept album that follows 10-year-old Malik, a good innocent kid with a deep curiosity for street life and hood culture who finds a comic book called “KILL SWITCH” which chronicles life in hell, exposing a world of violence, robbery, extortion, etc. As he reads, Malik begins to find himself immersed in the world, heading for an inevitable conclusion.
Pseudo Intellectuals is a trio from Buffalo, New York. They debuted in 2008 with the excellent but sadly slept on Resourceful Illery. Since 2008 they’ve dropped a number of dope projects, Only Built For Food And Drinks is another fine addition to their catalog. Only Built For Food And Drinks is a must-listen for fans of traditional sounding Hip Hop – melodic boom-bap beats, lots of throwback style scratching, and clever wordplay: this album is a fun listen.
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Natural Within is a consistent presentation throughout, but a special mention goes out to “Frank Sisson’s” a track with an infectious beat and with dope rhymes from an emcee named Belvedere Spinello, whose flow sounds like a blend of Grand Puba, Chubb Rock, and Pete Rock in their best days. Natural Within is kind of generic maybe, but totally enjoyable – fans of that 90s type Hip Hop can’t go wrong with this DJ Cosm project.
Frank Knight teamed up with producer/emcee Chuck Lawayne for Slim & Mickens, a thoroughly enjoyable presentation that pays homage to the 70’s Blaxploitation era. Well-realized, down to the cover art aesthetics, this project is a great listen that deserves your attention if smooth and soulful Hip Hop is your thing.
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Under the moniker of Certified Craftsmen, DJ/producer Propo’88 and rapper Wildelux crafted an excellent no-bullsh*t boom-bap record with their Certified Craftsmen LP. Propo’88 hails from Utrecht in The Netherlands, and Wildelux is a Bronx-born emcee who is currently based in Kyoto, Japan. Their collaboration is one of the many examples we can see these days of the global village that Hip Hop world has become – with artists from all over the world joining forces, and with producers from Europe leading the way in keeping that original boom-bap sound alive.
The Best 250 Hip Hop Albums Of All Time
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While the likes of Roc Marciano and the Griselda family still reign supreme in the rap-noir/street-rap subgenre of Hip Hop, there are plenty of others who consistently come with fire. Loretta Records founder Observe Since 98 is such an artist. Le Denier Royaume follows Observe Since 98’s “Savage” trilogy (which started with Portrait of A Savage (2021), followed by the sequels Return Of The Savage and Royaume Du Sauvage in 2021 and 2021 respectively).
The album challenges Black people to revisit more than one timeline and question everything they’ve been taught about processing grief in order to rebuild their present and future selves. There’s no definitive end to the darkness and trauma of the past, but this album is a stepping stone in Dixon’s pursuit of moving forward, and being a voice for Black people still learning how to advocate for themselves.
Onyx – these days a duo consisting of Sticky Fingaz and Fredro Star – dropped a strong album with ONYX 4 Life. Not all Onyx albums are keepers, but their first three – Bacdafucup (1993), All We Got Iz Us (1995), and Shut ‘Em Down (1998) – are all great albums: Bacdafucup is an iconic classic, the underrated All We Got Iz Us arguably is their best album. With ONYX 4 Life Sticky Fingaz and Fredro Star did not reinvent the wheel nor should they have – by sticking to their formula they show that after 30 years in the game they still have the chemistry and the energy that brought them platinum success in the early 1990s. ONYX 4 Life offers exactly what you’d expect: guttural, grimy raps over hard-ass beats – this is one of Onyx’s best efforts since the 1990s.
Gotham is the name of a new collaboration between two celebrated Hip Hop icons: Talib Kweli and Diamond D. Talib Kweli has been one of the most lyrically gifted and socially conscious artists for over two decades, but admittedly his musical output has been hit-or-miss especially in the past decade. With Diamond D providing the musical backdrops, Talib Kweli comes with one of his best projects in a good while.
Let’s get into it, check out what we think are the best Hip Hop albums of 2021 so far
After a few sangin' albums, Ryley Walker's been dippin' his toe back into instrumental guitar music and it's a real dang treat to see both sides develop simultaneously. This quiet-yet-busy rambler with drummer Charles Rumback sounds like it could've appeared on ECM Records LP with rolling fields painted in pastels on the cover.
Chicago producer/emcee Mike Rovone is not the best rapper around, but the throwback beats, cuts & scratches, and samples he crafted for this project are pretty great. I Smoke Herb I Make Music is well worth checking out.
G4 Jag’s deep baritone and gruff monotone flow are different and recognizable, and his content is on point – sticking to themes concerning ‘regressions’. Mephux’s production could have been more interesting here and there, but all in all, Regressions is a pretty strong project – bolstered by appearances from underground heavy hitters Flee Lord and Eto, among others.
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British beat-crafter Hobgoblin’s The Awaking is one of the finest producer’s albums of the year. The Awaking offers 10 equally strong tracks composed of deliciously dark bass-heavy boom-bap beats, with a host of top-tier underground emcees to take care of the vocals. The Awaking = raw underground Hip Hop at its finest.
He had set-up a [Fender] Rhodes [piano] and a couple of other keyboards. There were no drum machines, sequencers or computers, so everything had to be done in real time.
Carlos Alomar adds: “We hammered out some little rocky bits, just loose material, to see if David felt anything. He kept asking for more melody-driven stuff as opposed to rhythm section stuff. There was no real direction; it was more of a patchwork situation.
The Debut Final Album), which features guest appearances and production from Planet Asia, Hus Kingpin, Chino XL, Wais P, RBX, Phil da Agony, El Gant, Tragedy Khadafi, Bronze Nazareth, and Anno Domini. The Last Ride displays the Four Horsemen of the Apocalypse in a truly biblical fashion. Kurupt (Famine), Ras Kass (Pestilence), Canibus (War), and Killah Priest (Death), all coming together to bring light to the ills of the world; and reclaiming their rightful throne as one of the most dominant lyrical forces Hip Hop has ever witnessed.
Behind them is a ‘little picture show’ style set, the effect akin to performing within the confines of a large four poster, only without the bed itself. The recent EP Zooper Dooper is the source for the artwork, a psychedelic sheep glinting radioactively at the crowd.
Veteran emcee Planet Asia is one of the most prolific artists in underground Hip Hop these days. He is featured on everybody’s albums, and he keeps dropping solo and collaborative projects steadily too. Holy Water is another collabo with Los Angeles-based producer duo DirtyDiggs, and it’s another winner. Great beats and great bars – this is a great project.
Best Hip Hip Compilation Albums Of 2021
Soccer Dad is the fifth full-length project (not counting his mixtapes) from Detroit-based emcee Fatt Father. Soccer Dad is a great album, with banging beats (all crafted by Foul Mouth) and strong lyricism – Fatt Father’s flow is dope and his content is worth listening to.
Best 9 Hip Hop Albums Released in March
On ‘International Weed Day’ Snoop Dogg dropped his 18th studio album, and what do you know – it’s not bad at all, unlike most of Snoop Dogg’s recent (and not-so-recent) releases. It’s been a while since Uncle Snoop released a really consistent album, and From Tha Streets 2 Tha Suites isn’t that album either, but this one is solid Snoop – admittedly with no real stand-outs, but with no real throw-away tracks either. Sure, some songs are stronger than others – “Gang Signs” is the best song with its phat bassline and catchy hook, and “CEO”, and “Get Yo Bread” are among the stronger tracks too, while “Say It Witcha Booty” and a couple of others are more questionable. From Tha Streets 2 Tha Suites is kind of short at 35 minutes and 10 tracks, and lightweight in its cliched subject matter, but the funked-out trunk-rattling beats knock and the overall mellow summertime vibe of this project is fun. This Snoop Dogg project is forgettable but mostly enjoyable – worth a listen.
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Anywhere But Here is a short album at 36 minutes, but it feels longer – never a good sign. A bunch of features from the likes of Joey Bada$$, Denzel Curry, Kota the Friend, and CJ Fly (among others) add extra flavor to Anywhere But Here, but not enough to make the album especially memorable. Now, all this may sound more negative than the album really deserves – the lyrics on Anywhere But Here are pretty strong, and the instrumentals are easy to get into. But just because Anywhere But Here can potentially be appreciated by anybody, the album might end up being ignored by everybody.
Typically, we don’t include mixtapes or re-releases on our ‘best albums of the year’ lists, but this one is too good to ignore so it deserves a special mention. God is Good is unmixed and unmastered, but this ‘old’ Blu project is dope as f anyway. Originally titled TheGodLeeBarnesLP, the project was slated for a 2021 release, intended to be Blu’s highly anticipated sophomore solo album – but unfortunately, it ended up being one of the biggest ‘what could have beens’ of the decade when Blu lost his master files due to a hard drive crash.
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Lots of hype surrounded this release from UK rapper slowthai. Expectations for his sophomore effort were high after the impression slowthai made with his debut full-length album Nothing Great About Britain. Nothing Great About Britain was a socio-politically charged and at times emotional snapshot of Britain in 2021/2021, capturing the mental state of a fractured nation from the perspective of an angry and embittered young adult. With his debut slowthai established himself as an exciting new voice in UK Hip Hop – with a brash punk-attitude but with plenty of charisma and charm as well.
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Iceberg Theory is one of the most interesting producers out there, able to come up with something different every time. The work he did on Acid Jazz is more accessible than some of this more left-field type of production – the content of this project is jazzy and smooth, the album cover should tell you a lot about what to expect. Lync Lone’s vocals are an acquired taste, but if you can get with his laid-back whispery style no doubt Acid Jazz will find its way into your best-of-2021 library.
Bowie did not realise that other music was also going to be used in the soundtrack (he’d told Creem journalists he was writing all the music) or that he might have to audition his work before getting approval. There certainly seems to be some confusion about what was agreed, because in the The Man Who Fell To Earth DVD commentary track, Bowie states, “I don’t know why – probably because I was arrogant enough to think it so, therefore I acted upon it – that I had been asked to write the music for this film. And I spent two or three months putting bits and pieces of material together. I had no idea that nobody wanted to write the music for this film.
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Representing Bed Stuy Brooklyn, Tekomin “TEK” Williams burst onto the Hip Hop scene in 1993 with a couple of appearances on Black Moon’s Enta Da Stage album. As one-half of the groundbreaking duo Smif-N-Wessun, and as an integral part of super collective Boot Camp Clik, TEK has cemented himself as a Hip Hop icon. His last album with Steele as Smif-N-Wessun, 2021’s The All, was dope as f, but his last solo effort – last year’s PANDEMIC was a disappointment.
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The musicians involved in the project were Bowie (keyboards, guitar, percussion), Buckmaster (keyboards, cello, percussion), Alomar (guitar), Murray (bass) and Davis (drums). Also present was the British musician J Peter Robinson, who played Fender Rhodes and synthesiser.
All tracks of the album were written and recorded between November 21 and 27, 2021 in the Nacho’s home-studio. Semifinalist album at 2021 “Best Jazz Album” at the Independent Music Awards in Spain. All songs written & arranged by Nacho Valenciaga.
Lex Neville is a 16 track album by Four Owls emcee BVA, produced by Leaf Dog and Illinformed with guest verses from Datkid, Jack Jetson, King Kashmere, Leaf Dog, Smellington Piff, and Verb T, and with cuts by Jazz T. Anyone familiar with the artists involved will know to expect a serving of 90s-centric boom-bap of the highest quality. Lex Neville doesn’t disappoint – this is a great album with atmospheric production and killer bars, a must for traditional boom-bap fans.
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The Palmer Squares are a Chicago-based Hip Hop duo composed of Acumental (aka Ac), and Term (aka Terminal Knowledge and Term K). They originally began writing raps as Ordinary Dogs, and then iLLiteracy, changing their name to The Palmer Squares in 2021. Prior to Out With The Old, the duo has released a bunch of mixtapes, EPs, and some collaborative projects with other artists, as well as three full-length albums, Finna (2021), Planet Of The Shapes (2021), and With Or Without It (2021).
Rated # in the best albums of. Winona Ryder's dream home is only. I am ecstatic about being able to put my shoes on without wrestling with laces (even elastic ones or Hickies) or without twisting my body around using the long handled shoe horn! I don't know that I'll ever get to write that tale of dark old Western supernatural horror, featuring. Our new desktop experience was built to be your music destination.
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Codenine of Massachusetts super-crew Tragic Allies started 2021 off strong with LVNDR. Codenine’s debut (with fellow Tragic Allies member Purpose) Below Sumerian Skies ranks on our top 40 Hip Hop albums of 2021 list, and all Codenine projects following that debut were pretty good too. With LVNDR Codenine continues his streak of excellence. Production is tight on LVNDR, darkly atmosphere with dope sampling throughout, and Codenine has bars for days. Like mostly everything that comes out of the Tragic Allies camp, LVNDR strikes a great balance between Hip Hop with a 90s-centric feel and a more contemporary boom-bap sound. Tragic Allies colleague Estee Nack makes an appearance, along with the likes of Crucial the Guillotine, Bub Rock, and Lord Jah-Monte Ogbon – helping round out what is one the finest projects of its sort this year.
Because our list with the best Hip Hop albums of 2021 and this list with the year’s honorable mentions are both works in progress, some of these honorable mentions might yet make the ‘best of’ list. In any case, all the albums listed here are well-worth checking out – peruse this list at your leisure, and no doubt you will discover a couple of Hip Hop projects JUST for you, albums you otherwise might have missed out on.
Nothing wrong with The Most High – Mephux and Soundlord cooked up a solid batch of dark boom-bap instrumentals (with some trap beats thrown in the mix here and there) and LordMobb and Zaza God’s street rhymes suffice. It’s just nothing you haven’t heard before a hundred times already by now, there’s little here to make The Most High stand out from the crowd. Fans of the Griselda attitude and sound will find plenty of enjoyment here though.
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But the story of the lost Bowie soundtrack doesn’t end here. According to Bowie, “I constructed the thing which, in the death, never became the soundtrack to the movie, but became the album Low.
Rochester, NY emcee Azariah (of Young Black And Gifted) returns with Phase II: The Return Of Sloppy Smooth – a strong 13-track album entirely produced by up and coming producer Laddie. Mav (Of Da Cloth), Jae Hussle, and feature king Planet Asia make appearances on what is a must-listen for fans of atmospheric underground Hip Hop.
Washington DC’s Rahiem Supreme isn’t the best rapper you’ve ever heard and his bars on The 9 Diagrams are not especially remarkable. Also, you’ve heard better beats than the ones on The 9 Diagrams – there are so many projects with this kind of dusty boom-bap beats out there right now, it’s not difficult to find better-produced projects. That said: there is a certain charm to Rahiem Supreme and The 9 Diagrams, enough to deserve a spot on this list. If that neo-boom-bap sound is your thing, you will find enough to enjoy here.
Westside Gunn takes to Instagram a lot, calling most of his and other Griselda releases classics and masterpieces. That’s rarely true of course, but labeling Pray For Haiti with those overused honorifics may turn out to be apt. Pray For Haiti certainly is one of the best releases on Griselda in a while, or even ever. Years from now, we will still be talking about the two best Griselda albums – Westside Gunn’s FLYGOD (2021) and Benny The Butcher’s Tana Talk 3 (2021) – and Pray For Haiti is in that league.
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Four years in the making, The Complexity is a collaborative album from New Jersey/Philadelphia-based artist P-Rawb and London-based (but American) producer Big O. The Complexity is an album for connoisseurs, tasteful and classy – with beautifully crafted laid-back instrumentals and compelling lyricism from start to finish. Go check out The Complexity now, and come back to thank us later for pointing you in the right direction.
Well, yes it is. CALL ME IF YOU GET LOST is on par with Flower Boy, and it is way better than the edgy-for-edginess-sake IGOR is. CALL ME IF YOU GET LOST feels like Tyler put all of his previous albums in a blender, and kept the best aspects to fuse them into this project. He took some of the abrasive Hip Hop sounds from his older albums like Goblin and Wolf and combined them with the neo-soul synth-funk sounds of Flower Boy and IGOR to great effect.
Most of the best 90s-centric boom-bap production these days is done by non-US artists, Applied Precision is one of the many examples to prove that point. Zcience Division (DJ Zino and Roley Omega) is a duo from London England, and for Applied Precision they crafted 14 tracks composed of dope beats, creative sampling, and fresh cuts & scratches. For Applied Precision DJ Zino and Roley Omega joined forces with Bronx emcee Mike Titan, whose smooth flow adds to the throwback flavor this project exudes. Go listen to Applied Precision if that Golden Age sound is your thing.
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Flower Boy (2021) is our favorite Tyler album. His output prior to Flower Boy was hit-and-miss, and IGOR (2021) was overhyped and overrated in our opinion. Tyler is a mainstream media darling with a lot of stans who will love everything he does no matter what, so not blindly praising him is usually means catching a lot of flack. No doubt there’s a host of fans and media types who will declare this album their AOTY (at least until a new Kendrick album drops), but is CALL ME IF YOU GET LOST really any good?
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Across 18 tracks, Camera Of Sound offers close to 45 minutes of buoyant jazz-flavored boom-bap beats, complemented by artisanal cuts & scratches and dope wordplay by masters of the craft. When it comes to fresh throwback Hip Hop, it doesn’t get much better than this.
Ukrainian-American producer/emcee Your Old droog has garnered a strong following since he debuted in 2021, Time is his 7th full-length solo project and it is one of his best projects yet. Production is strong and Your Old Droog’s lyricism is on point – his flow is dope as always and his personal bars are worth listening to. Time features guest appearances from Aesop Rock, eLZhi, Blu, Mick Jenkins, Wiki, and MF DOOM.
Bandcamp description: “The Hunt for the Gingerbread Man 2: Get the Dough embraces the juxtaposition between a fantastical world made of candy and pastries and the dark and unforgiving lifestyle of the veteran emcee. Sonically immersive, and nostalgic of an era in Hip Hop that celebrates pain and hardship through whimsical storytelling, this album reaches deep into the life of the protagonist “Mr. Ginjy Breadman” aka “The Gingerbread Man” – and doesn’t let go until you’ve become fully invested in his tumultuous life journey in the “United Cakes of America”.
Buckmaster’s assertion that the music was not good enough isn’t shared by everyone involved. J Peter Robinson avers: “I really enjoyed the music and was very depressed that it wasn’t in the film.
The sessions for Station To Station lasted until November, and it was around this time that the singer began working on the soundtrack to The Man Who Fell To Earth. He asked British composer/arranger Paul Buckmaster to help him.
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No Squares In My Circle is a strong follow-up to The Musalini’s 2021 LP Return Of The Oro. And even if No Squares In My Circle is a collaboration with Denver’s O Finess, it kind of feels like a sequel to Return Of The Oro in many ways – not in the least because of the similar (and awesome) cover art. No Squares In My Circle offers nothing you haven’t heard before, but this is a great project anyway.
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The album was produced by a host of different producers, none of them with RZA’s magic touch, unfortunately. The beats are decent for the most part, but most of them miss that Wu-Tang ‘punch’ early RZA is celebrated for – there are some definite lulls in the tracklist, especially in the middle and towards the end of the album.
The Palmer Squares are sometimes written off as a pair of corny YouTube rappers, but that’s selling them short. Like on all their albums there’s lots of dope flows and fun wordplay on Out With The Old, and the instrumentals are mostly fine too.
Paul Willis is a Hip Hop artist, educator, and community organizer based in Sacramento, California, originally hailing from Boston, Massachusetts. Wonderland is a personal narrative across 10 tracks about Willis’ youth in Boston. Willis has a dope flow, his content is relatable, and the music on Wonderland is enjoyable – this is one of the many many projects out there that will fly way below everybody’s radars, but those willing to give Wonderland a chance will be in for a nice surprise.
Elegant boom-bap production with a jazzy touch, plus elite lyricism from one of the best emcees in the game today: All The Brilliant Things is about as good as it gets. Guest appearances from Aaria, Ill Al Skratch, BJ The Chicago Kid, Raheem Devaughn, Stlndrms, Karriem Riggins, MonicaBlaire, Hypnotic Brass Ensemble, Xiolynn, and Blakk Soul help round out what is one the finest Hip Hop albums of the year.
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The Course of the Inevitable boasts appearances from well-respected artists like Freddie Gibbs, Roc Marciano, Benny the Butcher, Styles P, and Ransom (among others) – their features spread across 18 tracks. Props to Lloyd Banks for not catering to the needs of the short attention span generation and going for a 68-minute presentation, with the 18 full songs averaging 4 minutes in length. The dark and moody boom-bap beats do the job, and lyrically Lloyd Banks is on the top of his game. The Course Of The Inevitable is one the biggest – positive – surprises of the year.
Amari Mar took 8 years to work on and perfect this album, and it shows. Grand Rising is one of the biggest surprises of the year so far. Songs like “Grand Rising”, “Nothing To Prove”, “Above The Rim”, “Live Your Life”, “Black Business”, “Beyond The Surface”, ‘The Gift” “A Beautiful Soul”, “The Chosen One”, and “Rise N Shine” all are gems, not taking away anything from the other songs on the album by the way – for a 17-track project, Grand Rising is super consistent.
Cee Knowledge (Craig Irvin) is a Fresno-based artist also known under the moniker Doodlebug as one-third of the legendary Digable Planets trio (together with Ishmael “Butterfly” Butler, and Mariana “Ladybug Mecca” Vieira). With Digable Planets, he was responsible for two timeless jazz-rap classics: Reachin’ (A New Refutation of Time and Space) (1993) and Blowout Comb (1994). Of the three Digable Planets members, it arguably is Ishmael Butler who has the most celebrated post-Digable Planets career as half of Shabazz Palaces (the monumental Black Up (2021) is one of HHGA’s favorite albums of the 2010s).
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The leak consisted of nine unmixed and unmastered songs that would go on to sell over 100K units; and not a dime in revenue for the group. There have been intermittent starts and stops along the journey for HRSMN, with a few singles and various collaborative appearances, and a full reunion track on Canibus’ Fait Accompli album; which once again began to build momentum with fans that the super-group would reunite and finally release a true official debut album.
Hypnotic, murky, lo-fi beats crafted by Navy Blue and abstract stream-of-consciousness bars and erratic flows from Akai Solo. True Sky holds some of the best instrumentals Navy Blue ever created, and if you can get with Akai Solo’s style of rapping you should find plenty to enjoy here. Akai Solo’s style is reminiscent of billy woods in many ways – a good thing of course. This kind of left-field Hip Hop is not for everyone, but people familiar with either one of these artists will know what to expect.
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From Propo’88’s fresh beats, samples, and Preemo-like scratch hooks, to Wildelux’s smooth flow and outspoken rhymes – this is throwback Hip Hop done RIGHT. Certified Craftsmen: close to 45 minutes of top-quality funky boom-bap Hip Hop.
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Sleep Sinatra’s second full-length of the year is another strong effort. Building on the strengths of his March release of Sleep Gloriously, DIVINENATION has the prolific Lincoln, Nebraska emcee revealing more of his life experiences and inner thoughts, this time over self-produced boom-bap beats, soulful and mellow.
Longbeach, California rapper Roc$tedy’s Flying Colors has lots of mainstream appeal with its melodic 808s and its catchy hooks. Even if it has more trap-sensibilities we are normally able to tolerate, this is a surprisingly enjoyable project – mainly because Roc$tedy has skills.
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Broken Swagger is Boston emcee P-Ro’s second full-length album, entirely produced by production team CLOAQxDAGGER. Broken Swagger is a throwback to East Coast Hip Hop with thick drums and soulful, jazzy samples to provide a backdrop for P’s creative concepts, detailed stories, and quotable punchlines with the right amount of personal dealings and some humor.
Free-associative Chicago rapper Sharkula teamed up with Hausu Mountain Records producer Mukqs for Take Caution On The Beach. This is a wonderfully weird project, with quirky synth-saturated drum patterns crafted by Mukqs and stream-of-consciousness lyrics from Sharkula – his lyrical content is reminiscent of Kool Keith‘s in its bizarness. Take Caution On The Beach is different, but intriguing.
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The Alchemist’s work on the boards arguably makes Haram a little more accessible than the four previous Armand Hammer albums are, but his atmospheric instrumentals are left-field enough to suit billy woods and ELUCID avant-garde rhyming. This is The Alchemist’s finest music in a while, even better than his much-lauded work on Freddie Gibb’s Alfredo of last year – in fact, we will go as far as to say The Alchemist crafted a masterpiece here.
Noir – aka Alan Roberts – has been an understated pop presence of late, but this intimate gig reminds us he is still very much around. He performs with an ensemble of five. On his left is an immaculately dressed bassist, his deerstalker and suit offering him a cladding that could comfortably insulate a loft, but on this occasion gives him a surprisingly understated cool. Noir (https://discusturkiye.com/activation-key/?patch=3495)’s two backing singers choreograph their hand waving to impressive effect, when their digits are not occupied providing loopy keyboard riffs.
Los Angeles rapper Styliztik Jones teamed up with producer duo DirtyDiggs for Everybody Eat – a top-notch presentation of smooth soulful boom-bap that runs for 40 minutes over 11 tracks. Everybody Eat: chilled-out summertime music that will put a smile on your face.
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Our expert team are always on hand to help with enquiries! We are a team of skilled, talented musicians with extensive experience and we strive to provide top. The petite woman with dark brown wavy hair, broad forehead, and brilliant brown eyes poured a second cup of eiffle and walked to her daughter's door, listened for a moment, and then knocked loudly. Muso's Corner is Australia's number one independent music store. On August 19, 2020 April 26, 2020 by Roblox Codes.
Hindsight is billed as the debut solo album from Breeze Brewin, with production from the likes of Marco Polo, Black Milk, De La Soul’s DJ Maseo, DJ Spinna, Sebb Bash, and others. With Hindsight Breeze Brewin gives us 13 dope songs, with socio-political insights (“Devil’s Advocate”, which has Breeze criticizing former President Donald Trump), his view on the music industry (“The Application”), and some deeply personal bars about friendships (“The Uninvited”) and about being a teacher as a person of color (“Taking Notes”). Hindsight is a slice of grown man Hip Hop at its finest.
Flaunting Imperfections, the fifth studio project from Halifax native and Calgary-based boom-bap emcee bRavenous is his first full-length since Between The Lines – one of our favorite traditional boom-bap albums released in 2021. Flaunting Imperfections is just as good, or even better.
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Dallas-based artists Ca$ablanca and Cap Chino are regular collaborators, the last time just a couple of months ago on Gold Front Fang$. Ca$ablanca is one of those extremely prolific artists, dropping multiple projects each year, Korea-Town is his first release in 2021.
Th1rt3en is a trio led by Pharoahe Monch, with Marcus Machado on guitar, and Daru Jones on drums. A Magnificent Day For An Exorcism is Pharoahe Monch’s first full-length project since his last solo album PTSD: Post Traumatic Stress Disorder, released in 2021.
Blak Madeen is a Boston-based duo consisting of lyricists Al-J and Yusuf. With Let The Good Get Even they give us 11 excellent tracks, composed of clever rhymes over dope boom-bap beats laced with vintage cuts & scratches. Produced by C-Doc (known from his work with Public Enemy), the album features guest appearances by Hip Hop icons like Chuck D, Sadat X, Tragedy Khadafi, Daddy-O, and others. Let The Good Get Even is a delectable presentation of intelligent grown-man Hip Hop, capturing a perfect throwback vibe without sounding dated. This is a must-have, no self-respecting Hip Hop fan should miss out on it.
Overall, while this isn’t the best Griselda project, there’s enough to enjoy on La Maquina. Whether you love it or not will most likely depend on your tolerance level for the 4 or 5 commercial-sounding tracks on the album – for us, these songs are must-skips that bring the album a couple of notches, unfortunately.
Much like Solemn Brigham, Namir Blade has a unique voice, with a quirky and erratic sing-song type flow – and L’Orange’s psychedelic and dusty boom-bap beats bring out the best in Namir Blade (just as his production worked perfectly for Solemn Brigham on the two Marlowe albums). Imaginary Everything contains some of Blade’s most interesting writing yet, and L’Oranges instrumentals are the best he got to work with up to now. Appearances from Quelle Chris, Marlowe, Fly Anakin, and Jordan Webb help round out what is another quite excellent L’Orange project – hopefully, the first in a series of collaborations with Namir Blade.
From the impassioned album opener “Chain Sooo Heavy” with its frenetic free-jazz instrumentation to the beautiful pensiveness of the last song “Twist My Hair”: For My Mama and Anyone Who Look Like Her is a stunning album, with great lyrical depth and superb musical virtuosity. Lots of Kendrickisms on this genre-bender, echoes of prime Lupe Fiasco too – but McKinley Dixon doesn’t need to be compared to any other artists, really. With For My Mama And Anyone Who Look Like Her he released a career-defining project – an album that deserves to escape this day and age’s short hype-cycles and that should be talked about for years to come, in the same breath with monumental albums such as Kenrick Lamar’s To Pimp A Butterfly (2021) and Rapsody’s Laila’s Wisdom (2021).
LittleBigPlanet has a robust soundtrack, consisting of several licenced tracks as well as original pieces by Mat Clark, Kenneth Young, and Daniel Pemberton. About Myself Rout Funk Guesthouse. A lot of that is down to their ace guitarist and songwriter, Dave Wronski, his modified Fender Jaguars and their hard-hitting drummer, Dusty Watson, who's now playing with the Sonics. Studio recorded music sometimes contains barely audible pieces of lo-fi recording. What is the Baby Boom generation?
But despite its faults, Exodus is a moving final DMX chapter, a posthumous album that wasn’t supposed to be posthumous at all – adding to the bittersweetness of it all. At least the album signifies a better fitting finale to a troubled career than his last couple of releases – the unofficial and unauthorized Redemption Of The Beast (2021) and the disappointing The Undisputed (2021) – would have done. DMX’s gruff voice will be missed.
Considering Conway standards, La Maquina has some trendier-as-usual production on a couple of songs – borderline trap tracks like “KD” and “Scatter Brain” are cases in point, those two are among the weaker songs on the album, along with a meandering quasi pop-tune like “Had To Hustle”. Plenty of strong tracks too though: stand-outs include “Bruiser Body”, “Blood Roses”, “200 Pies”, and especially “Sister Abigail” – the absolute highlight of this album.
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Maybe it’s not fair to compare the debut of the sons with the classic debut of their fathers, but since they themselves so obviously elected to emphasize the family connection a comparison is inevitable. Of course, this album never reaches the levels of the epicness their fathers’ debut Enter The Wu-Tang (1993) achieved. And realistically it never could, knowing the monumental Enter The Wu-Tang is one of the best and most influential Hip Hop albums of all time.
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Includes insert and new liner notes. Strangelove Music (our website) present the first ever reissue of Syguira Lady, originally released in 1985. An eerie and absorbing ride through the rich imagination of enigmatic Osaka group, Viola Renea. While riding the current interest in Japanese music, the album remains an anomaly to much of the local music of the time. Juxtaposing ancient/modern sources of sonic inspiration, North England's new musical movements collide with Eastern European folk rhythms, while oriental scales slide amongst wavey-electronic instrumentation. The resultant musical dreamscapes sought to conjure themes of noir and seduction, recurrent in the period's techno-pop. Kuki Imamura described the album as the sound of unknown memories with aural visions and strange musical loves coalescing around a femme fatale; Syguiria Lady. Syguiria Lady is the first full reissue album for Strangelove Music. For fans of current Japanese music revival.
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This is not the best Griselda-adjacent project around, but it’s decent enough. At 31 minutes and with guest appearances from Elcamino, Klass Murda, Ransom, Che Noir (https://discusturkiye.com/activation-key/?patch=645), Ampichino, Heem, Rick Hyde, and Chase Fetti Trust The Sopranos feels kind of crowded, more like a compilation with not enough of Benny. The production is kind of ‘soft’, pop-oriented in places even (also because of the hooks) – it’s not all bad, but we’d prefer a more gritty sound for this set of emcees. Che Noir (read) has two appearances, and she’s the star of Trust The Sopranos – outshining Benny and everyone else effortlessly.
This album blurb tells you something about Keith’s Salon, Kool Keith’s umpteenth project. Whether you like this album or not will depend entirely on your level of Kool Keith tolerance. If you can’t get with his earlier work, or if you’re new to his music, you will most likely not care for Keith’s Salon, probably not even understand what’s going on. Long-time Kool Keith followers will be able to appreciate this effort, though. If (like HHGA) you’ve been with him from the start, you will be attuned to his free-associative ramblings and his crazy hooks, and you will find plenty to enjoy here.
Exactly 10 years after his debut album The Terrorist Advocate Killarmy-affiliate Bugsy Da God drops Diary Of An Underground Villian. With production from 4th Disciple, True Master, and Bronze Nazareth (among others), and appearances from the likes of Dom Pachino and Recognize Ali, it’s clear what to expect from Diary Of An Underground Villian – raw, underground Hip Hop with a Wu-Tang vibe. Sure, this project is kind of generic, but it’s solid enough nonetheless – a must-listen for Wu-Tang completionists at the very least.
Rick Fury is a veteran emcee from Newcastle, UK. Return Of The King is a solid album, offering over an hour of fun wordplay supported by smooth and soulful boom-bap beats. All aesthetics matter and the awesome cover art for Return Of The King adds to the album’s appeal. Favorite track: “How To Deal With A Liar”, with guest vocals from Abi Nyxx – a female vocalist to watch.
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Memphis, Tenessee emcee Lukah’s When The Black Hand Touches You is a dope follow-up to its (slightly superior) predecessor Chickenwire (2021). Lukah comes with 16 tracks on When The Black Hand Touches You, musically strong with atmospheric sample-based production and with hard-hitting street raps in the vein of Griselda and Freddie Gibbs. A lot of albums like this one drop these days, and even if When The Black Hand Touches You has nothing to make it really stand out from the crowd, because of its consistency it will comfortably end up on the higher end of this subgenre’s spectrum in 2021. Fans of Freddie Gibbs’s music better not sleep on When The Black Hand Touches You.
Big Smile is an album for a niche audience – those with a taste for experimental and dusty lo-fi Hip Hop, with distorted stream-of-consciousness type vocals will find a lot to enjoy here. Fans of more traditional or mainstream kinds of Hip Hop may want to skip this one.
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Son Of Tony emerges from the Buffalo, New York underground with his debut project Son On A Sunday. With dark, atmospheric beats and hard-hitting street rhymes by Son Of Tony and guest vocals by the likes of Skyzoo, Mickey Factz, Ren Thomas, and Tish Hyman, this is a solid little album that will especially resonate with fans of East Coast underground street rap.
The instrumental lead-in riff of this song served as the intro theme music for the CNN program Anderson Cooper 360. Richard Wagner, Soundtrack: Watchmen. Slash on His Love of Pinball, Making New Music While at Home "The idea behind the whole thing was basically to recreate a full Not In This Lifetime concert experience, " Slash tells SPIN, then laughs. Genres Moods Vocals Length BPM. You are free to use the music (even for commercial purposes) as long as you provide appropriate credit.
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Cracked Actor was broadcast by BBC TV on 26 January 1975. Folklore has it that Roeg happened to switch on the television that evening, stumble across the documentary and have his eureka moment, but the truth is more prosaic. Bowie’s movie agent, Maggie Abbott, knew Litvinoff and Roeg (she had got Jagger his part in Performance) and thought that The Man Who Fell To Earth would make an ideal vehicle for Bowie. She somehow procured a video tape of Cracked Actor and sent it to Roeg and Litvinoff.
Roeg showed the script to Hollywood producer Si Litvinoff, who liked it and agreed to become the film’s executive producer. Two other producers, Michael Deeley and Barry Spikings, came on board, and soon, Roeg began making preparations. Several actors were hired for the film, including Candy Clark, Rip Torn and Buck Henry, but Roeg was struggling to find someone for the lead. Roeg didn’t want an actor who simply saw the role as just another job, he sought someone with an unusual physical characteristic that would mark him as an outsider. Peter O’Toole (who Roeg thought had an interesting face) and Michael Crichton (who was 6ft 9in) were considered, but rejected. Roeg would find the actor he wanted from an unusual source.
Hus Kingpin’s wordplay is solid enough, just like that of guest rappers like Vinnie Paz, SmooVth, Nems, The Musalini, Ransom, and Ty Farris (and many others), but it’s the gloomy instrumentals that make this project a keeper. Portishead fans will recognize a lot of the samples on Portishus, but this project is just as enjoyable without intimate Portishead knowledge. With Portishus Hus Kingpin started the year off in a strong way.
Like the first two albums of the Twin Cities-based emcee, Rituals of Resilience is an album with substance. In I Self Devine’s own words: “Rituals of Resilience is about the act of survival under intense pressure and heat. A place to hide when being in your body isn’t safe. A reimagining of new worlds and possibilities.
With the shooting wrapped up in August, Bowie headed for Los Angeles, renting a house in Stone Canyon Road in Bel Air. His first objective was to record the follow-up to Young Americans, the album that would become Station To Station. Bowie assembled a band that included Carlos Alomar (guitar), George Murray (bass) and Dennis Davis (drums). In October, he asked producer Harry Maslin (who had worked with Bowie on the New York Young Americans sessions) to join him for sessions at Cherokee Studios in Hollywood. Bowie was consuming prodigious amounts of cocaine (he would later say that the only reason he knew that Station To Station was recorded in Los Angeles was “because I read it was”) but the sessions were very productive; Station To Station ranks highly for Bowie aficionados.